Rock The Boat: The Pirates movie review
The third of three big South Korean historical blockbusters to reach our shores in the past couple months, The Pirates may be my favorite of the bunch. Along with The Admiral: Roaring Currents and Kundo: Age of the Rampant, which also played this summer in the U.S., The Pirates is among the top ten highest grossing movies this year in its home territory.
An easy-to-watch romp that doesn’t take itself too seriously, The Pirates is free of the self-conscious weirdness of Kundo and the self-important mythologizing of The Admiral and balances slapstick, swordfights, and adventures on the high seas. Add into the mix several wacky characters, lots of silly humor, and a hunt for a magical whale and her baby and you have a recipe for big-screen fun.
The Pirates a rip-roaring good time that makes no pretentions toward historical accuracy or cinematic innovation, and is unfettered by any attempts at realism or the need to hew to biographical details. The movie instead is a great addition to a long list of buccaneer films that started way back in the silent era and continued onward through Errol Flynn, Douglas Fairbanks Senior and Junior, and Johnny Depp, among many others. The pirate genre transfers quite neatly to the Joseon period, with mangy hair-extensions, hoop earrings, broadswords, and facial tats all easily making the cultural transition. A bonus is lots of slapstick humor courtesy of a group of inept bandits led by rogue soldier Crazy Tiger (Kim Nam-gil) and a seasick former pirate who can’t convince his mates that whales are larger than a tea table. Unlike this summer’s other two South Korean blockbusters, which were distinctly androcentric, The Pirates includes a strong female protagonist. Played with a badass frown by Son Ye-jin, who’s best-known for her role as an early Alzheimer’s patient opposite Jung Woo-Sung in the classic tearjerker A Moment To Remember, Yeo-Wol is a pirate queen who can swing a sword with the best of them.
There are also several super-fun set pieces, including one that would put a smile on Buster Keaton’s face that features a huge wooden water wheel chasing a cart laden with explosives down a very long hill. Director Seok-hoon Lee has mostly worked on romcoms in the past and The Pirates reflects this as, unlike Kundo or The Admiral, the screen violence is moderate and the bloodletting mild and the focus of the film is the banter between the various characters rather than weighty issues such as revenge, bloodlust, patriotism, or war. The movie is a great piece of escapist fun that moves smoothly between humor, action, and adventure, and is an outstanding way to round off an excellent summer of South Korean flicks in the U.S.
AMC Cupertino Square 16