Posts tagged ‘wilson yip’
Just a quick note about this year’s Hong Kong Film Awards, which took place this Saturday. Wilson Yip’s biopic Ip Man, about the martial arts legend, took Best Picture, with Ann Hui winning Best Director for The Way We Are, her docudrama about the New Territories town of Tin Shui Wai. The Way We Are, with its mostly non-professional cast, also won three other awards including Best Actress, Best Supporting Actress, and Best Screenplay. Nick Cheung (The Beast Stalker) nabbed his first Best Actor statue, adding it to his award from the Hong Kong Film Critics’ Society. Cute little girl Xu Jiao won Best New Performer for her crossdressing turn as Stephen Chow Sing-Chi’s son in Chow’s sci-fi blockbuster CJ7. Unfortunately, according to the Golden Rock’s liveblog she gave a horribly fake acceptance speech that included fake crying. I guess child stars are the same all over the world.
Interestingly, in a repeat of the Golden Horse Awards last year, John Woo’s lavish epic Red Cliff was shut out of the major acting and directing awards (including Tony Leung Chi-Wai’s failure to win his sixth Best Actor award). Red Cliff did clean up in several creative categories such as Best Art Direction and Best Visual Effects, winning five awards. Apparently this year’s nominations were only for Red Cliff 1—Red Cliff 2 will be eligible again next year so maybe then it will make out a little better in the major awards. Ironically, Red Cliff is probably the only film among the award winners that will receive international distribution.
Poor Simon Yam, nominated for Best Actor for Johnnie To’s Sparrow, went home empty-handed again. But he got to wear a natty two-toned sharkskin suit, white spats, and a spider-motif tie, and looked way too dashing for a man in his fifties. Sadly, Sparrow also lost (to Red Cliff) for Best Film Score, which just goes to show that not everyone appreciated its awesome Martin Denny/Michel Legrand/Henry Mancini homage.
For a full listing of the awards go here.
For lots more pix of celebrity finery go here.
For a great liveblog of the event go here.
And here’s the trailer for Sparrow, for a sample of its excellent soundtrack:
Best to worst
The White Dragon, dir. Wilson Yip, 2004
Francis plays a blind swordsman opposite spoiled and vain rich girl Cecilia Cheung in this 21st century martial arts redux. Full of jokey anachronisms and mo le tau humor, the film is nonetheless affecting due to the charisma and chemistry of the two leads. Francis channels Zatoichi with a twist–he’s a sensitive and noble, lovelorn guy.
He also battles a very bad haircut but miraculously manages to become more and more attractive, even though he spends half the film with his eyes rolled up in his head. The scene where he discovers that Cecilia thinks he’s handsome is classic–charming, funny and convincing. Kudos to Cecilia Cheung (who won Best Actress at the HK Film Awards) for keeping her bratty character light and appealing. Wilson Yip continues his schizophrenic directing career, combining wuxia, comedy, romance and satire in classic HK style.
Dancing Lion, dir. Marco Mak & Francis Ng, 2007
Kinda dumb, unfortunately. Sitcom-style humor about a dysfunctional family that starts a lion dancing business and becomes a HK phenomenom. Francis co-directs and stars as a forty-year-old hip hop wannabe dope.
Anthony Wong is amazing as a 72-year-old lion dance master–he’s very fun to watch in an otherwise dippy film.
Himalaya Singh, dir. Wai Kar-Fei, 2005
“Hey, you ever been to India?” “No, why?” “Wanna make a movie there?” “Well, what’s there?” “I dunno, elephants, cobras, yoga.” “Okay, sounds great. Think Francis & Lau Ching Wan will want to go?” “Yeah, and maybe Cecilia.” “Okay, let’s do it.” “And we need to find some Indian guys who can speak Cantonese.”