Between Love & Hate: Love In The Buff and Marrying Mr. Perfect film reviews
Two romantic comedies that I saw on my trip to Hong Kong radically demonstrate two different aspects of popular Hong Kong movies today, and are possible indicators of the fate of the local film scene. Although once upon a time loyal Hong Kong audiences ardently supported local film productions, in the past ten or fifteen years interlopers first from Hollywood and now mainland China have been chipping away at the once indomitable Hong Kong film industry.
Pang Ho-Cheung’s Love in the Buff, the sequel to his 2010 film Love in a Puff, is a funny, smart flick that picks up shortly after the first film ends. The first film perfectly captured the irreverent lifestyle and language of young adults in Hong Kong and the sequel continues in the same vein. Instead of locating itself smack dab in the middle of Hong Kong’s young urban professional milieu, the film is set both in Hong Kong and Beijing, probably due co-production regulations as well as an attempt to appeal to the massive mainland Chinese audience. Yet despite the change in locale, the movie retains the kicky, profane humor that was so fun in the original. This is due in part to strong performances throughout the film as well as Pang’s clever script and sharp eye for the sleek yet realistic urban landscapes of the two cities.
In the sequel, protagonists Jimmy and Cherie face more difficulties in their romantic relationship, as they split up at the beginning of the movie (no spoiler here as it happens pretty early on). Both individually end up in Beijing as they follow their jobs to China’s capital city, and both begin new relationships there, but despite their best efforts they can’t seem to keep away from each other. Pang’s script arranges for a few key supporting Hong Kong characters to travel there with them so that the salty vernacular and attitude of the first movie remains intact. Miriam Yeung as Cherie is particularly outstanding as the foul-mouthed city girl stuck on Shawn Yue’s childlike Jimmy. There are also some extremely funny cameos that cannot be revealed without spoiling the fun but suffice to say that they’re cleverly utilized. One in particular resolves the storyline of ugly duckling Brenda (June Lam Siu-Ha) from Love In A Puff in an especially hilarious yet surprisingly heartwarming way.
Pang does a great job capturing the passionate and illogical attraction between Jimmy and Cherie, and places his main characters in a groovy contemporary milieu, surrounding them with fun and interesting supporting characters. It’s no wonder the movie has been going like gangbusters at the local box office, as its portrayal of contemporary Hong Kongers is flattering and appealing. In its opening weekend in Hong Kong Love In The Buff has grossed more than HK$5 million, making it a bona fide hit, and it opened here in the U.S. this weekend to positive reviews across the board.
On the flipside, while I was in Hong Kong I saw Wong Jing’s latest comic effort, Marrying Mr. Perfect, which stars Ronald Cheng, Gigi Leung, Chapman To, Eric Tsang, and Sandra Ng. With a cast like that it seems like the movie couldn’t help but be pretty funny but alas it was a fairly tepid and formulaic affair, with mistaken identities, catty office politics, and other contrivances making up most of the dumb storyline. All of the above actors have comic chops to spare but here they have to strain for laughs against the idiotic and derivative script. Apparently Wong Jing has lined up some hefty mainland China co-production financing for his next film projects, but if this is the future of Hong Kong filmmaking then things are looking pretty bleak.
I saw Marrying Mr. Perfect at a Sunday afternoon show with a bunch of local Hong Kong movie fans including bloggers and podcasters Paul Fox, Sean Tierney and Glenn Griffith, Ross (Kozo) Chen and Kevin Ma from lovehkfilm.com, and film programmer and writer Tim Youngs, on one of their weekly jaunts to see the latest Hong Kong releases. Afterwards we all spent teatime at the downmarket food court in the otherwise ultra-posh Elements mall and commiserated about the sorry state of Hong Kong films that this picture represented. Besides the seven of us there were about five other people in the small theater and the posters and trailers in the cinema were all for Hollywood movies like The Avengers (except for a trailer for another HK product, Love Lifting, which features Elanne Kong as a heartbroken Olympic weightlifter. Despite its sappy-looking premise the film actually made some money at the HK box office last week).
This group of HK film aficionados echoed what other friends told me while I was in the SAR; to wit, no one in Hong Kong goes to Hong Kong movies any more. My buddy Jay had never heard of either Love In A Puff or its sequel, although he’s a pretty media-savvy guy, and another friend confessed that he only goes to see Hollywood product. If cheesy goods like Marrying Mr. Perfect are all that the Hong Kong film industry had to offer then it’s not surprising that local films can’t draw a local audience. But Ann Hui’s A Simple Life has been selling out theaters since its release a few weeks ago, and Love In The Buff is also making some bank, so maybe it’s just a case of Hong Kong moviegoers no longer tolerating crappy local products like they used to.
It’s sad that there’s little brand loyalty for the indigenous film scene, but Hong Kong audiences have probably gotten accustomed to the high-gloss commercial fare from around the world that makes its way to local theaters. Last year two of the biggest films in HK were Aamir Khan’s Bollywood hit 3 Idiots and Giddens Ko’s Taiwan youth flick You Are The Apple Of My Eye, and of course most Hollywood blockbusters show up in HK cinemas as well. Interestingly enough, the films with more local flavor, including A Simple Life, Clement Chang’s Gallants, and Alex Law’s Echoes of the Rainbow, have successfully struck a chord with local audiences, so maybe the local film industry isn’t completely dead. With the restrictive requirements of mainland China co-productions threatening to further choke off the Hong Kong movie scene it will be interesting to see in the next few years whether an unadulterated Hong Kong movie aesthetic can survive.
Love In The Buff now playing:
101 Fourth St. San Francisco, CA 94103
10123 North Wolfe Road, Cupertino, California