Kinda Like A Big Deal: The Beast Stalker, Full Alert and Greatness in Hong Kong Movies
Just saw The Beast Stalker (Dante Lam, 2008) at the San Francisco International Film Festival and, although it held up pretty well and wasn’t an embarrassment, it wasn’t quite all that. Introduced by the Film Festival as “perhaps the best Hong Kong action film since Johnnie To’s Election,” this gritty thriller demonstrates that the former Crown Colony can still crank out hard-ass crime dramas. But the field has been mighty thin in Hong Kong of late and in other, more fruitful years, The Beast Stalker might’ve been just one of the crowd.
Former teen heartthrob Nicolas Tse plays a tough cop (!) haunted by the death of a child hostage he accidentally kills in a chaotic shootout/car crash involving malevolent gangsters, innocent bystanders and much shattered glass. Nick Cheung plays a kidnapper-for-hire in charge of snatching the dead girl’s twin sister whose lawyer mother is involved in prosecuting the crime. Their meshing stories play out in a dizzying spiral of guilt, honor, fate and obligation.
The Beast Stalker has several full-on child-in-extreme-danger moments and the cast realistically sports facial scars and other mementos of mortal peril, but somehow the film falls short of greatness. Nic Tse, further distancing himself from his youthful idol years, shrieks angrily at his subordinates, but he still can’t nail the crying scenes. Likewise, Nick Cheung, who won Best Actor statues from both the Hong Kong Film Critics’ Association and the Hong Kong Film Awards for this role, glowers menacingly but doesn’t quite bring the extra layer of pathos and complexity that might have deepened his portrayal. As my pal Laura, aka redbean, aka longtime Hong Kong movie fanatic, noted, “Anthony Wong would’ve eaten this role alive.” Unfortunately Anthony wasn’t cast and in this case Nick Cheung only makes a so-so substitute.
I recently purchased a copy of Ringo Lam’s brilliant crime thriller Full Alert (1997), which bears some similarities to The Beast Stalker in its depiction of the complex relationship between a cop and a criminal. But Full Alert has the inestimable actors Lau Ching-Wan and Francis Ng in the lead roles and their sublime skills breathe life into their stock characters and make the film’s cat-and-mouse story vibrant and believable. Francis brilliantly creates a strangely sympathetic yet reprehensible character and Lau Ching-Wan’s finely tuned fits of anger and frustration show a cop dangerously on the edge of sanity. The final confrontation between these two driven characters beautifully brings their fraught relationship to a stunning conclusion. On the other hand, The Beast Stalker’s antagonistic pair never fully reach the heights suggested by their intertwined destinies and their anticipated showdown is merely a tease.
Full Alert and The Beast Stalker both have magnificent car chases as their centerpieces, the work of car-choreography specialist Bruce Law. The action direction in The Beast Stalker, however, unfortunately succumbs to the closeups and nausea-inducing jerky camerawork now in fashion, whereas Ringo Lam understood the need for distance and framing in an action sequence. Attesting to its greatness, Full Alert more than stands the test of repeated viewings, even more than a decade after its release. The Beast Stalker is a exciting, smartly-made movie but if, as several critics have suggested, this is one of the best of recent Hong Kong films, then the bar has been seriously lowered.
Dante Lam will soon have another chance to make a great Hong Kong movie. His next project, Most Wanted Terrorist, has just announced its cast, which includes the dream team of Lau Ching-Wan, Anthony Wong and Francis Ng, along with Nick Cheung. Hopefully Nick Cheung can keep pace with his illustrious co-stars, as they’re widely held to be among the best actors of their generation. He did just fine opposite Anthony and Francis in Exiled, and even in The Beast Stalker he showed glimmers of potential. but if he’s not careful the rest of the cast is going to blow him out of the water.
Interestingly, Dante Lam has indicated that he will forgo any Mainland Chinese financing for Most Wanted Terrorist in order to preserve a Hong Kong sensibility in the film. Several recent HK/China co-productions, including Sammi Cheng’s recent Lady Cop and Papa Crook, have suffered from the restrictions of Mainland film censors, so Lam’s decision to avoid PRC money is an interesting one. With Hong Kong film financing languishing due to the economic recession it’s a bold and risky move, but Lam is determined to retain his artistic freedom without having to answer to the Mainland government.
Let’s hope Most Wanted Terrorist gives everyone involved the chance to strut their stuff to their fullest capabilities. With its killer cast and seasoned director, if all goes well, we could once again see greatness in Hong Kong films next year.
The Beast Stalker opens Friday, May 15 at one of the last places in the Bay Area to see Hong Kong movies on the big screen, the 4-Star Theater, 23rd Avenue and Clement Street, San Francisco.
Entry filed under: francis ng, hong kong, lau ching-wan, movies, nick cheung ka-fai, Uncategorized. Tags: anthony wong, dante lam, francis ng, full alert, hong kong films, johnnie to, lau ching-wan, nick cheung, nicolas tse, ringo lam, the beast stalker.