Kickin’ It With The Boys: Fists of Legend movie review

April 17, 2013 at 3:34 am Leave a comment

Kickin' it with the boys, Fists Of Legend, 2013

Footwork, Yoon Je-moon, Fists Of Legend, 2013

Although it’s got its share of body slams and bloody fisticuffs, Fists of Legend, (now playing in select multiplexes in the U.S.) is a nice change of pace from the typical extreme South Korean fare that shows up in U.S. movie houses. In contrast to gangland thriller New World or spy flick Berlin Files, the two most recent Korean movies to roll through town, Fists of Legend is a surprisingly gentle and warmhearted piece of filmmaking. Despite its pugilistic trappings, it’s much more than just a fight movie.

The 2.5 hour-plus movie centers around Legendary Fist, a mixed martial arts reality show that pits former teenage streetfighters, now paunchy and in their forties, against trained MMA fighters. Among the middle-aged gladiators is Lim Deok-kyu (Hwang Jung-Min), a former teenage boxer who now owns a noodle shop. His wife died long ago, his angsty teenage daughter is in trouble at school, and his noodle shop is failing, so Deok-kyu signs up for Legendary Fist for the $20,000 prize money and a chance to redeem himself in his daughter’s eyes.

Dad & daughter, Fists Of Legend, 2013

Dad & daughter, Fists Of Legend, 2013

Despite its sometimes gory fistfighting scenes, Fists of Legend is not so much Thunderdome as it is a critique of contemporary South Korean social and cultural mores. The movie alternates between swaggering 1980s high school kids and their modern-day middle-aged incarnations, bouncing through bullying, father-daughter dynamics, media culture, teenage cliques, corporate corruption, and cronyism, among many other topics, in its long, sometimes meandering cinematic journey.

Bam! Hwang Jung-Min, Fists Of Legend, 2013

Bam! Hwang Jung-Min, Fists Of Legend, 2013

The sincere and slightly homely Hwang Jung-Min, who was outstanding as the hotheaded loose cannon in New World, is awesome as the noodle shop owner trying let go of the past. Also good is Yoon Je-moon as the corporate toady who learns to stand up for himself. The bad guys are somewhat one-dimensional but the many good guys have a lot of heart and depth. The film is also refreshingly unglamourous in its portrayal of midlife existence, although the fit and trim Hwang does have some pretty cut abs.

All in all the narrative’s bobs and weaves make for a fun and diverting way to spend 154 minutes. It’s not a classic, but it’s good, solid commercial entertainment.

NOTE: The increased number of Korean films gaining theatrical release in the U.S. is part of the resurgent Korean Wave now devouring the U.S. pop culture landscape. Following up his billion-views youtube megahit Gangnam Style, PSY’s latest MV Gentleman has as of this date reached 110 million hits and counting in the three days since its official release. The astoundingly hot Lee Byung-hun is tearing it up shirtless-style in the hit Hollywood actioner GI Joe: Redemption. Kia is apparently the trendy new auto line amongst young groovesters. And Korean Fried Chicken is the ono grind of choice among late-night post-club snackers.

Entry filed under: fists of legend, hwang jung-min, korean movies, movies. Tags: , , , , , .

More Than This: Pen-Ek Ratanaruang at Yerba Buena Center for the Arts It Takes Two: 2013 San Francisco International Film Festival & San Francisco Global Vietnamese Film Festival

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