Posts tagged ‘lau ching-wan’
HK/HP: If Hong Kong Movie Actors Starred In Harry Potter Films
A double-dose of geekdom here–went to see the latest Harry Potter (Deathly Hallows, part 1) on opening day and had my fangirl jones satisfied. Dan, Rupert, & Emma have grown up and learned to act, the special effects were par excellence, and the stellar supporting cast has grown to include the lucky Bill Nighy (who said “For a while, I thought I would be the only English actor of a certain age who wasn’t in a ‘Harry Potter’ film.”)
After wallowing in the 2.5 hour HP movie my consciousness was full of all things Potter. The other movie of note that I’d seen that week was Francis Ng’s new Chinese Western, Wind Blast, so both were vying for space in my backbrain. Then when my buddy and fellow Hong Kong movie otaku Erika, aka Huckle, suggested that Francis would make a great Sirius Black, the game was on. So herewith follows my dream cast for the hypothetical Hong Kong remake of Harry Potter.
NOTE: It was easy to pick the adult actors. The teens were a bit more difficult, since I’m not as tuned into the Hong Kong idol scene as I could be. Any suggestions for the younger cast members, as well as any others, are more than welcome in the comments section.
Severus Snape: Anthony Wong. The Half-Blood Prince personified, Anthony has both the swagger and the sneer required to play Severus.
Voldemort: Tony Leung Chiu-Wai. Although Little Tony usually plays the good guy, he proved in Lust, Caution that he can do creepy and evil too.
Remus Lupin: Nick Cheung. Moody, dark, and a little feral (see Election), Nick is totally believable as a werewolf.
Peter Pettigrew: Louis Koo. Probably a bit too square-jawed to play Wormtail, but he’s got the paranoid nervousness down pat. No one in Hong Kong sweats and twitches as well as Louis Koo.
Sirius Black: Francis Ng. Ah, the angst! The fancy frock coats! The insane gleam in his eye! Who else but Francis to play Sirius Black?
Albus Dumbledore: Lau Kar-Leung. The grandmaster of Hong Kong martial arts movies, he can also choreograph his own action scenes.
Lucius Malfoy: Simon Yam. A slimy, smirky, ruthless & amoral bad guy? Paging Simon Yam!
Mad-Eye Moody: Lau Ching-Wan: LCW really deserves a bigger role but he’s got the chops to make this part his own. He was also plenty weird in Mad Detective and Himalaya Singh so we know he doesn’t shy away from the offbeat.
Narcisa Malfoy: Carina Lau. Because no one does haughty and high-class better than Carina.
Dolores Umbridge: Sandra Ng. The queen of Hong Kong comedy, she’d make a wackier Umbridge. However, she’s got some skilz so I have no doubt that she’d bring the sinister as well.
Horace Slughorn: Eric Tsang. He’s got the smarmy gladhanding dialed in.
Gilderoy Lockhart: Andy Lau. Handsome, flashy, ultrafamous, and a bit vacuous spells Andy to a T.
Rubeus Hagrid: Ng Man-Tat. Uncle Tat in elevator shoes and in a big furry beard? Hellz yeah!
Minerva McGonagal: Helena Law Lan. The queen ofTroublesome Night, Law Lan has the supernatural down pat.
Vernon Dursley: Lam Suet. Blustery, blubbery, and a little bit malevolent is Lam Suet all over.
Petunia Dursley: Karen Mok. Maybe a bit too glam for Petunia, but she can certainly do the midcentury costumes.
Fenrir Greyback: Roy Cheung. Who’s more qualified than Roy Cheung to tear out people’s throats with his bare hands?
Rita Skeeter: Cecilia Cheung. Glamourous, self-centered & entitled, with a hint of sleaziness–Ceci anyone?
Nymphadora Tonks: Zhou Xun. The twinkly-eyed Xun is our token mainland star, if only because she’s the best actress of her generation. Plus she’s probably more than willing to do purple hair, as evidenced by her off-kilter turns in All About Women and Ming Ming.
Sybill Trelawny: Sammi Cheng. Especially since Sammi’s been having a bad hair day for about two years now.
Bellatrix LeStrange: Maggie Cheung. Because Maggie’s been rocking the frizzy hair look lately and because she can do sexy and dangerous in her sleep.
Harry Potter: Lam Yiu-Sing, who played the angsty teen in Heiward Mak’s High Noon. Better him than Jing Boran any day.
Hermione Granger: Evelyn Choi Wing Yan. Played Aarif Lee’s geeky girl love interest in Echoes of the Rainbow. Not a lot of competition for this part.
Ron Weasley: If only Chapman To were twenty years younger this would be his role. Still searching for the right teen actor to play Harry’s wingman. NOTE: see update below
Cedric Diggory: Aarif Lee. Now in theaters playing a young Bruce Lee, he’s certainly pretty enough to play the part that launched Robert Pattinson’s career.
Draco Malfoy: Nicholas Tse (ten years younger). Have to put Nic in a time machine for this one since he’s perfect for the part of the privileged, conflicted scion of a shady family.
UPDATE: angryasianman.com has a link to an Asian Harry Potter lookalike who showed up on the Conan O’Brian show last week. Maybe this is an idea whose time has come–
UPDATE 2: Okay, I take it back what I said about Jing Boran. After seeing Hot Summer Nights and Love In Space I realize that he would be perfect for the part of Ron Weasley. I humbly apologize for slandering the former M-Pop star.
Sweet Dreams Are Made Of This: Top 10 Hong Kong Movies of the Decade

The Hong Kong Spice Boys, Exiled, 2007
This week I’ve been letting my geek flags fly, as I’ve been closely following the countdown of lovehkfilm.com’s Top 50 Hong Kong films of the decade. Webmaster Kozo, Hong Kong film aficionado extraordinaire, has been revealing ten films a day on his blog, Damn You, Kozo, with much commentary from the fanperson peanut gallery. Although Hong Kong films are not the ne plus ultra of film fandom that they were, say, fifteen years ago, more than 150 dedicated otaku responded to lovehkfilm’s poll, which was a completely unscientific open vote of anyone who wanted to send a ranked list of their favorite HK flicks of the past ten years. Being a dutiful HK cinema fangirl I compiled a draft of my top ten and, not surprisingly, the majority of the films on the list starred my personal favorite Francis Ng. Herein follows my list, with reviews of each film. Please note that the list is not a reflection on whether the films are cinematically or historically significant, but based purely on the amount of pleasure that I got while watching them. Which is really how it should be sometimes.
In reverse order:
10. Beauty and the Breast, dir. Raymond Yip, 2003
Wacky comedy starring Francis Ng as an office lothario who bets he can seduce bespectacled smart-girl Michelle Reis. Luckily her dad is an herbalist and kung-fu master who sees through the ruse, setting up Francis and his accomplice, the hapless Daniel Wu, with an appropriate punishment. Unlike most Hollywood actors, Francis Ng sees no need to safeguard his masculine image, which leads to an excellent use of prosthetic mammaries. Favorite scene: A conflicted Francis Ng manifests Good Francis (dressed in white with angel wings) and Bad Francis (in red with a tail and horns), who advise him on his quest to bed Michelle Reis.
9. A Gambler’s Story, dir. Marco Mak, 2000
A weird and loopy, stylized look at a down-on-his-luck gambler, played by Francis Ng, who tries to escape his miserable lot in life. Director Marco Mak mixes slapstick, violence, and pathos as only a Hong Kong director can do in this quirky and bizarre movie. Favorite scene: Francis and Suki Kwan win, then compulsively gamble away a fortune in a Macao casino.

Cecilia Cheung and Lau Ching-Wan show how it's done, Lost In Time, 2003
8. Lost In Time, dir. Derek Yee, 2003
A tearjerker par excellence, by Derek Yee, who also directed the 1993 classic Hong Kong weepy C’est La Vie, Mon Cherie. Lau Ching-Wan and Cecilia Cheung put on an acting clinic as ordinary people coming to grips with personal tragedy. Really one of the best melodramas ever made. Favorite scene: Orphanage scene!
7. PTU: Into The Perilous Night, dir. Johnnie To, 2006
Johnnie To’s dreamlike, surreal travel through nocturnal Hong Kong, with Simon Yam, Lam Suet, and Maggie Siu in search of a lost gun. Possibly the closest To has come to directing an art film, with its poetic use of empty space and expressionistic framing. Favorite scene: Triad musical chairs in a late-night hot pot restaurant.
6. Shaolin Soccer, dir. Stephen Chow, 2001
Though not as brilliant as Stephen Chow’s 1990s mo le tau comedies, Shaolin Soccer still captures Sing Jai’s absurd and wacky persona, with the added bonus of crazy CGI that perfectly meshes with Chow’s insane worldview. Plus it’s a totally fun sports movie. One of the most pleasurable films on the planet, imho. Favorite scene: Stephen Chow demonstrates his kung fu parking skills.

Gigi Leung & Francis Ng a deux, A War Named Desire, 2000
5. A War Named Desire, dir. Alan Mak, 2000
An early film by Alan Mak, one half of the Infernal Affairs team, this intense thriller follows the fate of a pair of estranged brothers who find themselves on the run from triads in Thailand. Francis plays the older brother, a no-nonsense gangster who must choose between duty and honor. Gigi Leung is outstanding as a gun moll whose sharpshooting matches Francis’ shot-for-shot. Favorite scene: Gigi Leung methodically stalks her prey during a chaotic, cacophonous Thai New Year celebration.

Cecilia Cheung and Francis Ng mix it up, The White Dragon, 2003
4. The White Dragon, dir. Wilson Yip, 2003
Fun, frolic, and wuxia, with Francis Ng playing a blind swordsman who falls for bratty and spoiled, vain rich girl Cecilia Cheung. Although the action and comedy scenes are energetic and clever, the best part of the movie lies in the center section of the film, where erstwhile adversaries Francis and Cecilia court and spark. Favorite scene: Cecilia informs the blind, unaware Francis that girls would fall for him since he’s handsome and has straight teeth and a “tall” nose.

Stare-off of the century, Francis Ng and Anthony Wong, Infernal Affairs 2, 2003
3. Infernal Affairs 2, dir. Andrew Lau & Alan Mak, 2003
The prequel to Infernal Affairs, which Martin Scorsese remade as The Departed, Infernal Affairs 2 is a magnificent gangster opus that operatically follows the fate of its many characters. Anthony Wong, Francis Ng, Carina Lau, and Eric Tsang are among the stellar cast. Francis in particular is outstanding as the soft-spoken yet ruthless Triad boss bent on avenging his father’s murder. Favorite scene: Francis mournfully toasts his late father at an outdoor noodle stand, with a cadre of equally somber triads echoing his gesture.
2. Juliet In Love, dir. Wilson Yip, 2000
One of the saddest and most heartfelt genre films ever to reach the screen, with Francis Ng and Sandra Ng as star-crossed lovers who find unexpected solace with each other. Francis plays a low-level triad caught up in a net of fateful events. Sandra is a lonely restaurant hostess who befriends him. Favorite scene: Simon Yam as a mobster boss who indifferently slurps down hot pot while Francis stoically bleeds from a head wound in the corner of the restaurant.

Nick Cheung Ka-Fei shows 'em what for, Exiled, 2007
1. Exiled, dir. Johnnie To, 2007
The ultimate fanperson heroic bloodshed film of the decade, featuring an ensemble cast of hard-guy triad film stars. Anthony Wong, Francis Ng, Lam Suet, Roy Cheung, and Nick Cheung shoot ‘em up on the eve of the 1998 return of Macao to China’s rule. An allegory for the ennui and anomie of Hong Kong and Macao residents during that time, with beautiful cinematography, a haunting soundtrack, and brilliant, tough-as-nails characterizations by the veteran cast, plus five, count ‘em, five amazing shootouts. Favorite scene: the prelude to the awesome opening shootout, in which Anthony Wong and Francis Ng remove ammo from their automatic pistols in order to have the same amount of bullets as Nick Cheung’s six-shooter.
Honorable mentions: Mad Detective; After This Our Exile; Election 1; The Warlords; Sparrow; Turning Point: Laughing Gor; Fantasia; Initial D; Wo Hu; On The Edge
Kinda Like A Big Deal: The Beast Stalker, Full Alert and Greatness in Hong Kong Movies

Nick Cheung and wonky eye, The Beast Stalker, 2008
Just saw The Beast Stalker (Dante Lam, 2008) at the San Francisco International Film Festival and, although it held up pretty well and wasn’t an embarrassment, it wasn’t quite all that. Introduced by the Film Festival as “perhaps the best Hong Kong action film since Johnnie To’s Election,” this gritty thriller demonstrates that the former Crown Colony can still crank out hard-ass crime dramas. But the field has been mighty thin in Hong Kong of late and in other, more fruitful years, The Beast Stalker might’ve been just one of the crowd.
Former teen heartthrob Nicolas Tse plays a tough cop (!) haunted by the death of a child hostage he accidentally kills in a chaotic shootout/car crash involving malevolent gangsters, innocent bystanders and much shattered glass. Nick Cheung plays a kidnapper-for-hire in charge of snatching the dead girl’s twin sister whose lawyer mother is involved in prosecuting the crime. Their meshing stories play out in a dizzying spiral of guilt, honor, fate and obligation.
The Beast Stalker has several full-on child-in-extreme-danger moments and the cast realistically sports facial scars and other mementos of mortal peril, but somehow the film falls short of greatness. Nic Tse, further distancing himself from his youthful idol years, shrieks angrily at his subordinates, but he still can’t nail the crying scenes. Likewise, Nick Cheung, who won Best Actor statues from both the Hong Kong Film Critics’ Association and the Hong Kong Film Awards for this role, glowers menacingly but doesn’t quite bring the extra layer of pathos and complexity that might have deepened his portrayal. As my pal Laura, aka redbean, aka longtime Hong Kong movie fanatic, noted, “Anthony Wong would’ve eaten this role alive.” Unfortunately Anthony wasn’t cast and in this case Nick Cheung only makes a so-so substitute.

Lau Ching-Wan shoots straight, Full Alert, 1997
I recently purchased a copy of Ringo Lam’s brilliant crime thriller Full Alert (1997), which bears some similarities to The Beast Stalker in its depiction of the complex relationship between a cop and a criminal. But Full Alert has the inestimable actors Lau Ching-Wan and Francis Ng in the lead roles and their sublime skills breathe life into their stock characters and make the film’s cat-and-mouse story vibrant and believable. Francis brilliantly creates a strangely sympathetic yet reprehensible character and Lau Ching-Wan’s finely tuned fits of anger and frustration show a cop dangerously on the edge of sanity. The final confrontation between these two driven characters beautifully brings their fraught relationship to a stunning conclusion. On the other hand, The Beast Stalker’s antagonistic pair never fully reach the heights suggested by their intertwined destinies and their anticipated showdown is merely a tease.

Nick & Nic mix it up, The Beast Stalker, 2008
Full Alert and The Beast Stalker both have magnificent car chases as their centerpieces, the work of car-choreography specialist Bruce Law. The action direction in The Beast Stalker, however, unfortunately succumbs to the closeups and nausea-inducing jerky camerawork now in fashion, whereas Ringo Lam understood the need for distance and framing in an action sequence. Attesting to its greatness, Full Alert more than stands the test of repeated viewings, even more than a decade after its release. The Beast Stalker is a exciting, smartly-made movie but if, as several critics have suggested, this is one of the best of recent Hong Kong films, then the bar has been seriously lowered.
Dante Lam will soon have another chance to make a great Hong Kong movie. His next project, Most Wanted Terrorist, has just announced its cast, which includes the dream team of Lau Ching-Wan, Anthony Wong and Francis Ng, along with Nick Cheung. Hopefully Nick Cheung can keep pace with his illustrious co-stars, as they’re widely held to be among the best actors of their generation. He did just fine opposite Anthony and Francis in Exiled, and even in The Beast Stalker he showed glimmers of potential. but if he’s not careful the rest of the cast is going to blow him out of the water.
Interestingly, Dante Lam has indicated that he will forgo any Mainland Chinese financing for Most Wanted Terrorist in order to preserve a Hong Kong sensibility in the film. Several recent HK/China co-productions, including Sammi Cheng’s recent Lady Cop and Papa Crook, have suffered from the restrictions of Mainland film censors, so Lam’s decision to avoid PRC money is an interesting one. With Hong Kong film financing languishing due to the economic recession it’s a bold and risky move, but Lam is determined to retain his artistic freedom without having to answer to the Mainland government.
Let’s hope Most Wanted Terrorist gives everyone involved the chance to strut their stuff to their fullest capabilities. With its killer cast and seasoned director, if all goes well, we could once again see greatness in Hong Kong films next year.
The Beast Stalker opens Friday, May 15 at one of the last places in the Bay Area to see Hong Kong movies on the big screen, the 4-Star Theater, 23rd Avenue and Clement Street, San Francisco.
















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