Posts tagged ‘hong kong movies’

No Regrets In This Life: Hong Kong travels, 2012

Aaron Kwok decorates the MTR station

Just got back from a week in Hong Kong, where I experienced a full-on immersion in Asian films. Officially I was there to present a paper (A God And A King: Chow Yun-Fat and Shah Ruhk Khan) at the Asian Cinema Studies Conference at Hong Kong University, but I also attended the Hong Kong-Asia Film Financing Forum (HAF) and saw a slew of Asian movies. For seven days I talked about, watched, and pondered the state of Chinese-language films in the 21st century. It was pretty much a perfect vacation for an Asian movie otaku like me.

Prior to this trip I hadn’t been to Hong Kong in particular or Asia in general for at least twenty years, but as soon as I got off the plane I was hit with the familiar smell of equatorial humidity. After seeing countless Hong Kong films over the past couple decades it was quite exciting to set foot back in the motherland. Not literally, of course, since my family comes from Guangzhou and Toisan, but close enough as makes no difference. When I got to my hotel room the movie on the TV was An Autumn’s Tale (1987), director Mabel Cheung’s bittersweet story of two Hong Kong transplants living in New York City. It was curious to watch a movie while in Hong Kong about the Chinese diasporic experience–I felt like I’d reversed that journey in some way, going from the U.S. to Hong Kong.

Weekend, Causeway Bay

Interestingly enough, at the ACS conference I later met Stacilee Ford, the author of a monograph on An Autumn’s Tale. A historian by training, Ford also writes about Hong Kong film and she was kind enough to give a copy of her book along with a DVD of Cheung’s film. She was one of the many stellar Asian film scholars attending the conference–the legendary Gina Marchetti said nice things about my presentation; Stephen Teo politely listened to me fangirlishly blather at him; I chatted with Julia LeSage over tea and sandwiches. It was fun to wade knee-deep in Asian film studies with such an illustrious crew and to parse and analyze the movies that I spend so much of my time watching. I felt invigorated and inspired after attending the conference, as well as slightly starstruck by the company I got to keep.

I stayed in Causeway Bay, which was quite fun in an insanely busy and overcrowded way. The streets were packed until late into the night and the walls of the shopping malls were covered in massive adverts both still and moving. Although there have been tensions between mainlanders and Hongkongers in the past few months, that hasn’t prevented Huang Xiaoming’s gorgeous face from gracing huge billboards all over Causeway Bay. Other movie star faces plastered around town include Angelababy, Nicholas Tse, and Aaron Kwok (in various states of undress).

Random food, Hong Kong 2012

During my stay I ate several outstanding meals, from spicy lamb hot-pot with my buddy Jay (new discovery: fried fish skin), to street food dished into Styrofoam boxes on the corner of Jaffe and Fleming Street, to way too many egg custard tarts from the endless tiny bakeries lining Wan Chai Street. When I wasn’t at the conference or watching movies I walked for hours a day, up and down Hennessy Street and through Causeway Bay, taking the MTR to the insanity that is Mongkok on a weekend night, to Victoria Park on a Sunday morning with the picnicking Indonesian and Filipino domestic workers on their day off. By the fourth day the overwhelming bus fumes and secondhand cigarette smoke started to irritate my lower respiratory tract–now I understand why so many people in Asian cities sport surgical masks when they go outside.

Domestic workers picnicking, Victoria Park

I managed to navigate the city fairly easily, in part because English is still one of Hong Kong’s official languages, although I did spend one tedious hour wending my way through a particularly confusing set of overpasses and bridges near the Hong Kong Convention Center. Hong Kong’s public transit system is excellent and multifarious, with subway, trams, buses, and the Star Ferry all rapidly and efficiently moving its 7.1 million residents to and fro–even the escalators in the MTR stations run at a breakneck pace. While much of the city is pretty urban, its underlying natural beauty still shines through. The view from the top of the double-decker bus careening down the hill from Hong Kong University to Causeway Bay one evening was quite lovely, with the white neon lights amidst gracefully drooping banyan trees providing a enchanting contrast.

Triad Simon on the hotel TV

The last night I was in town, after another tasty meal, I was channel-surfing in my hotel room when I came across a random Simon Yam/Lau Ching-Wan/Roy Cheung triad movie on TV. Yam, Lau, and Cheung have of course starred in many classic Hong Kong crime films but this alas was not one of them. But the best part about watching the movie was that one of the film’s fight scenes takes place outside the President Theater, where I’d just seen Ann Hui’s new movie the day before. Those little pleasurable and surreal moments happened all week, where I came across movie locations in real life, thus heightening my fondness for Hong Kong cinema all the more. Now that I’ve been to Hong Kong after so long, I surely won’t wait another couple decades to go back again.

POSTSCRIPT

While waiting at the Hong Kong airport for my plane home I make a horrible discovery. I’m scamming on the free airport wi-fi and surfing the net when I randomly find out that Francis Ng is scheduled to be at the press conference for Ann Hui’s short film My Way at the Hong Kong Film Festival AND I CAN’T GO! I’m getting on a plane in 20 minutes to go back to San Francisco. I feel like a character in a TV melodrama–I should abandon my flight and run back to Hong Kong in slow motion. The plane has been delayed–maybe if I’m lucky it will be cancelled and I can stay another night. Alas for the inflexibilities of modern air travel. Wonder if there is a later flight–

(I did not take a later flight, in part because immigration wouldn’t have let me back into the airport that same day, and I did not get to see Francis Ng in person. Yet another reason to come back to Hong Kong sooner rather than later, in order to more efficiently plan my stalking of Hong Kong movie stars.)

Next up: the movies I saw, part one

March 25, 2012 at 8:04 am 4 comments

Slippin’ Into Darkness: Agneepath and The Viral Factor film reviews

Hrithik Roshan, tattered, Agneepath, 2012

A funny thing happened on the way to the multiplex last week—both of the number one movies in China and in India were playing simultaneously at Bay Area theaters. The Viral Factor, director Dante Lam’s latest actioner, and Agneepath, a remake of a classic 1990s Bollywood revenge drama, both made their way to the U.S. with day-and-date releases in the U.S. and their respective countries of origin.

Agneepath, starring the remarkably hot and handsome Bollywood star Hrithik Roshan, set a record for highest opening day grosses in India and is on its was to joining the 100 crores club, along with blockbusters like Aamir Khan’s Three Idiots and Ghajini, Shahrukh Khan’s Ra.One and Don 2, and Salman Khan’s Bodyguard and Dabangg.

The flick is an old-school vengeance story with new-school stars, including the aforementioned Hrithik, pouty-lipped former Miss World Priyanka Chopra, and hulking villain Sanjay Dutt. It also features an item number with another rising star, Katrina Kaif, who shows off her amazing articulated torso in a fast-paced dance sequence.

The original Agneepath is a cult classic in India and stars OG bad boy Amitabh Bachchan. Both the original and the remake take their title from a well-known poem written by Bachchan’s father, Harivansh Rai Bachchan, and it’s featured prominently in both films. Agneepath roughly translates as “the path of fire,” referring to persevering in the face of great struggle.

Sanjay Dutt, evil, Agneepath, 2012

In the new Agneepath the intensity is turned to up eleven for the duration as first-time director Karan Malhotra brings the high melodrama on a grand scale, including child slavery, beatings and hangings, tattooed villains both bald and hairy, machete-wielding transvestites, and a bride who gets gunned down on her wedding day. Not to mention Hrithik Roshan’s smoldering green eyes simmering with rage throughout the movie. At the plex where I watched the show with a mixed crowd of both desi and non-desi audience members, the stoned teenager in the projection booth had jacked up the theater’s volume to “deafening,” but this only suited the movie’s thundering score and accentuated the general more-ness of the storyline.

In contrast to the theatrics of the plot, Hrithik turns in a subtle, intense performance as the tortured hero bent on avenging his father’s wrongful death. Despite being astoundingly hot, as always Hrithik’s on-screen persona is fairly low-key, downplaying his tousled hair and perfect profile. He’s the dreamboat with a heart of gold who is incredibly handsome, cut and toned, yet remarkably unassuming. At the show I attended, Roshan’s first appearance thirty minutes into the movie was greeted by an elated fan calling out, “I love you, baby!” Her sentiment was quickly echoed by a happy murmur from most of the female viewers in the audience.

Producer Karan Johar’s Sirkian aesthetic is all over this one, thought it’s nominally directed by Karan Malhotra. The film’s emotional palette is completely saturated, with every scene staged for maximum dramatic effect. Yet despite the overall fever pitch, some sequences manage to stand out, including a harrowing lynching that sets the dark and violent tone of the film, and a gorgeous orange-toned set piece that takes place during the Ganesh Chaturthi festival. Malhotra makes excellent use of the festival’s spectacle, skillfully intercutting the riotously colorful celebration with a cat-and-mouse assassination attempt. The film’s sleek production values, its gorgeous and charismatic leading man, and its bloody tale of violent retribution make it a good candidate for crossover success in the U.S. and worldwide.

Nic Tse, misunderstood, The Viral Factor, 2012

The Viral Factor, China’s number one movie last week, is a horse of a slightly different color. Part intense and violent actioner, part family melodrama, and part reunification allegory, the film boasts an amazing amount of property and vehicle destruction, and copious quantities of flying bullets, sheared-off limbs, and characters leaping from high ledges. In other words, it’s a typical Dante Lam movie.

The story concerns a pair of estranged brothers, one raised in Hong Kong by his father, and one raised in China by his mother, who of course end up on opposite sides of the law. Fai, the cop, stiffly played by Taiwanese pop superstar Jay Chou, and Yeung, the thief, more energetically rendered by Hong Kong pop superstar Nicholas Tse, meet cute after Yeung busts out of police custody in Malaysia. Intertwined with their nascent reunion is a plot involving a mutant smallpox virus, corrupt cops, and a sleek English-speaking gangster clumsily played by Andy On (here billed as Andy Tien).

Jay Chou, cornered, The Viral Factor, 2012

Director Lam keeps the pace cracking throughout, starting with a blistering car chase and shootout in the streets of Jordan—clearly someone’s been watching The Hurt Locker. Yet in true Hong Kong style the action sequences, smartly choreographed by Chin Kar-lok, are interspersed with a melodramatic family subplot. The hoary cop-criminal brothers theme has a long and venerable history in Hong Kong action movies, perhaps most notably essayed by Chow Yun-Fat and Leslie Cheung in A Better Tomorrow. Here the conflict is much less dramatically rendered, in part because neither Jay Chou nor Nic Tse possess the passion, chops, or sheer charisma of either Chow or Cheung, and as such the brotherly relationship is more friendly than fraught. Tse manages to be convincing as the hotheaded criminal, despite his slight and wiry stature, but Chou doesn’t bring a lot to his role as the cop. Without much fraternal tension the familial dynamics don’t possess a huge amount of urgency, so the storyline’s resolution ultimately lacks impact.

But the action sequences more than make up for this dramatic slackness, and veteran director Lam makes excellent use of enclosed spaces full of whizzing bullets, hand grenades, and sharp objects. As with his two previous films, The Beast Stalker and The Stool Pigeon (both of which also star Nic Tse), all of the lead characters suffer grievous bodily harm from car wrecks, gunfire, blunt force, and other physical trauma, with each eventually sporting the facial scars that have lately become Lam’s signature. Although he handles the fancier set pieces effectively, including a helicopter chase that weaves through a dense jungle of skyscrapers, Lam seems most at home down in the mean streets of Kuala Lumpur. It’s there that the film really gains some traction, with corrupt cops and scraggly gangsters populating neon-lit outdoor food stalls not unlike those found in Lam’s native Hong Kong. Along with Herman Yau, Lam is one of the few directors in the former Crown Colony still making streetwise commercial cinema, and the success of The Viral Factor both at home and abroad will hopefully enable him to find future financing for his gritty, kinetic Hong Kong-style movies.

Bonus beats: Here’s a clip of Chikni Chameli from Agneepath with Katrina Kaif and her amazingly flexible abs. Props for lighting a match on her forearm. Also includes nice cutaways of Hrithik brooding prettily and Sanjay Dutt getting his mean on.

February 3, 2012 at 8:39 am 4 comments

HK/HP: If Hong Kong Movie Actors Starred In Harry Potter Films

A double-dose of geekdom here–went to see the latest Harry Potter (Deathly Hallows, part 1) on opening day and had my fangirl jones satisfied. Dan, Rupert, & Emma have grown up and learned to act, the special effects were par excellence, and the stellar supporting cast has grown to include the lucky Bill Nighy (who said “For a while, I thought I would be the only English actor of a certain age who wasn’t in a ‘Harry Potter’ film.”)

After wallowing in the 2.5 hour HP movie my consciousness was full of all things Potter. The other movie of note that I’d seen that week was Francis Ng’s new Chinese Western, Wind Blast, so both were vying for space in my backbrain. Then when my buddy and fellow Hong Kong movie otaku Erika, aka Huckle, suggested that Francis would make a great Sirius Black, the game was on. So herewith follows my dream cast for the hypothetical Hong Kong remake of Harry Potter.

NOTE: It was easy to pick the adult actors. The teens were a bit more difficult, since I’m not as tuned into the Hong Kong idol scene as I could be. Any suggestions for the younger cast members, as well as any others, are more than welcome in the comments section.

Anthony Wong Chau-Sang, half-blood extraordinaire

Severus Snape: Anthony Wong. The Half-Blood Prince personified, Anthony has both the swagger and the sneer required to play Severus.

Voldemort: Tony Leung Chiu-Wai. Although Little Tony usually plays the good guy, he proved in Lust, Caution that he can do creepy and evil too.

Nick Cheung, half-man, half-beast

Remus Lupin: Nick Cheung. Moody, dark, and a little feral (see Election), Nick is totally believable as a werewolf.

Peter Pettigrew: Louis Koo. Probably a bit too square-jawed to play Wormtail, but he’s got the paranoid nervousness down pat. No one in Hong Kong sweats and twitches as well as Louis Koo.

Francis Ng with his hair up

Sirius Black: Francis Ng. Ah, the angst! The fancy frock coats! The insane gleam in his eye! Who else but Francis to play Sirius Black?

Albus Dumbledore: Lau Kar-Leung. The grandmaster of Hong Kong martial arts movies, he can also choreograph his own action scenes.

The glorious Simon Yam

Lucius Malfoy: Simon Yam. A slimy, smirky, ruthless & amoral bad guy? Paging Simon Yam!

Mad-Eye Moody: Lau Ching-Wan: LCW really deserves a bigger role but he’s got the chops to make this part his own. He was also plenty weird in Mad Detective and Himalaya Singh so we know he doesn’t shy away from the offbeat.

Carina Lau, red carpet queen

Narcisa Malfoy: Carina Lau. Because no one does haughty and high-class better than Carina.

Dolores Umbridge: Sandra Ng. The queen of Hong Kong comedy, she’d make a wackier Umbridge. However, she’s got some skilz so I have no doubt that she’d bring the sinister as well.

Eric Tsang & eyebrows

Horace Slughorn: Eric Tsang. He’s got the smarmy gladhanding dialed in.

Andy being Andy

Gilderoy Lockhart: Andy Lau. Handsome, flashy, ultrafamous, and a bit vacuous spells Andy to a T.

Rubeus Hagrid: Ng Man-Tat. Uncle Tat in elevator shoes and in a big furry beard? Hellz yeah!

Helena Law Lan in Troublesome Night 3,245

Minerva McGonagal: Helena Law Lan. The queen ofTroublesome Night, Law Lan has the supernatural down pat.

Vernon Dursley: Lam Suet. Blustery, blubbery, and a little bit malevolent is Lam Suet all over.

Petunia Dursley: Karen Mok. Maybe a bit too glam for Petunia, but she can certainly do the midcentury costumes.

Roy Cheung, wicked

Fenrir Greyback: Roy Cheung. Who’s more qualified than Roy Cheung to tear out people’s throats with his bare hands?

Rita Skeeter: Cecilia Cheung. Glamourous, self-centered & entitled, with a hint of sleaziness–Ceci anyone?

Zhou Xun in red

Nymphadora Tonks: Zhou Xun. The twinkly-eyed Xun is our token mainland star, if only because she’s the best actress of her generation. Plus she’s probably more than willing to do purple hair, as evidenced by her off-kilter turns in All About Women and Ming Ming.

Sybill Trelawny: Sammi Cheng. Especially since Sammi’s been having a bad hair day for about two years now.

Maggie Cheung with blowout

Bellatrix LeStrange: Maggie Cheung. Because Maggie’s been rocking the frizzy hair look lately and because she can do sexy and dangerous in her sleep.

Harry Potter: Lam Yiu-Sing, who played the angsty teen in Heiward Mak’s High Noon. Better him than Jing Boran any day.

Smart girl Evelyn Choi

Hermione Granger: Evelyn Choi Wing Yan. Played Aarif Lee’s geeky girl love interest in Echoes of the Rainbow. Not a lot of competition for this part.

Ron Weasley: If only Chapman To were twenty years younger this would be his role. Still searching for the right teen actor to play Harry’s wingman. NOTE: see update below

Aarif Lee brings it

Cedric Diggory: Aarif Lee. Now in theaters playing a young Bruce Lee, he’s certainly pretty enough to play the part that launched Robert Pattinson’s career.

Nic Tse broods

Draco Malfoy: Nicholas Tse (ten years younger). Have to put Nic in a time machine for this one since he’s perfect for the part of the privileged, conflicted scion of a shady family.

UPDATE: angryasianman.com has a link to an Asian Harry Potter lookalike who showed up on the Conan O’Brian show last week. Maybe this is an idea whose time has come–

Jing Boran does quirky, with Angelbaby

UPDATE 2: Okay, I take it back what I said about Jing Boran. After seeing Hot Summer Nights and Love In Space I realize that he would be perfect for the part of Ron Weasley. I humbly apologize for slandering the former M-Pop star.

November 22, 2010 at 9:44 pm 10 comments

A Fool Such As I: 36 More Francis Ng movies

Saluting Francis

Since my Francis Ng movie-watching marathon 18 months ago I’ve been scouring the universe trying to see every possible Francis movie I can find. Herein follows another 33 films and 3 dramas that I was able to locate, with bullet reviews of each flick. Although I’m still less than 50% through his 120 movies, my viewing pace has slowed down quite a bit, since the remainder of his films are either out-of-press or only available unsubbed on Chinese-language streaming sites. Luckily our dear Francis is still actively making new movies and he’s got a couple due out this year, Fierce West Wind and The Warring States, which are both big budget Mainland Chinese productions, so I’ve got something to look forward to. Here’s hoping for 120 more Francis movies in the future.

The best

1. Once Upon A Time In Triad Society 1: Francis shows off his acting chops in this clever and original sendup of triad movies, reprising his career-making role of Ugly Kwan from Young & Dangerous. He won the first of three Best Actor awards in a row from the Hong Kong Film Critics Society for this role.

2. Once Upon A Time In Triad Society 2: The story and characters are unrelated to the first film but it’s also an original and energetic take on gangster life. This time Francis plays a cowardly triad more interested in mahjong than brawling. Smokin’ hot Roy Cheung plays a zealous hing dai.

3. Bakery Amour: Offbeat romantic comedy with Francis as a fish-out-of-water country boy navigating Hong Kong. He falls for his gorgeous neighbor Michelle Reis but plot and circumstance endeavor to keep them apart. Will the two mismatched lovers find one another in the end?

4. A Gambler’s Story: A loopy black comedy about a down & out, hapless gambler, played with mournful determination by Francis. In no way resembles God of Gamblers or any other escapist HK poker movie.

5. Banana Spirit: Francis plays a coroner’s assistant whose job is putting makeup on corpses. He falls for a beautiful ghost living in a banana tree and along the way encounters Taoist exorcists, gangsters, and Tommy Wong as a fire demon. Great stuff–

6. A War Named Desire: Francis as a hard-ass but righteous triad in Thailand who gets tangled up in a gang war. Awesome heroic bloodshed movie with an outstanding turn by Gigi Leung as a sharpshooting gun moll.

Stern Francis, Turning Point: Laughing Gor, 2009

7.  Turning Point: Laughing Gor: Gritty actioner based on the popular TVB character played by Michael Tse. Francis & Anthony Wong steal the show as dueling triad bosses who battle it out for the most outlandish hair and costumes. Not bad for a low-budget quickie, this film was the second-highest grossing HK movie of 2009.

8. ‘Til Death Do Us Part: Anita Yuen plays a childlike woman destroyed by her husband’s two-timing. Francis is great in a supporting role as a sympathetic divorce lawyer who tries to save her sanity.

9. Big Bullet: Fast-paced and thrilling cop actioner with Francis as a righteous detective whose best friend is fellow police officer Lau Ching-Wan. Anthony Wong as a very bad guy and, in a change of pace, Jordan Chan as an upstanding cop.

The rest—in rough chronological order

10. In The Lap Of God: a very young yet fully formed Francis in a small supporting role as the boyfriend of big-haired 80s dream girl Irene Wan, who throws him over for hotshot cop Roy Cheung (!). Filmed mostly in the jungles of Thailand.

11. Handsome Siblings: Early Francis wuxia, with A-listers Andy Lau & Brigitte Lin battling Francis’ evil transgendered villain. Francis was nominated for Best Supporting Actor for this one, launching his movie career and freeing him from the clutches of TVB.

Co-joined Francis, The Bride With White Hair, 1993

12. The Bride With White Hair: Leslie Cheung & Brigitte Lin as gorgeous star-crossed lovers in this classic wuxia pian. Francis is a lovelorn Siamese twin demon in glittery eye makeup who is surprising sympathetic and fleshed-out.

13. Sexy & Dangerous: Silly knockoff of the Young & Dangerous movies, with four hot babes instead of Ekin & Jordan. Francis plays a dumb, low-level triad with orange hair who courts one of the chickies. Excellent turn by Karen Mok in the Jordan Chan role.

Ginger Francis, Sexy & Dangerous, 1996

14. 24-Hour Ghost Story: Something about a haunted convenience store and the four clueless people who run it. Francis sees ghosts.

15. Wicked Ghost: Don’t remember much about this cheapie horror flick except that Francis wears glasses and plays a professor

16. 9413: Francis directed this quirky tale about an emotionally damaged cop who seeks redemption from his guilt and ennui. Not bad for a freshman directorial attempt, Francis was no doubt much assisted by cinematographer Herman Yau.

17. A Queer Story: Francis turns in a beautiful and subtle supporting role as the younger lover of a man who dies of AIDS. The film fully exploits his astonishing hotness—who wouldn’t fall for him, male or female?

Pretty Francis, A Queer Story, 1997

18. What Makes A Good Teacher? Weird little school drama directed by Francis, who also stars as a former mental patient who ends up teaching a bunch of teenagers in Hong Kong. Amusing cameos by Anthony Wong, Cheung Tat-Ming, Dayo Wong and other friends-of-Francis.

19. The Group: Convoluted action movie about a group of adopted siblings who avenge the death of their priest-father (I think). Francis is the leader of the pack. I think he dances on a table in this one but I can’t remember.

20. Chinese Midnight Express 2: Very cheap prison flick with Francis as a righteous attorney at odds with a corrupt warden. This one has every prison film cliché in the book, done in typical HK low-budget style—not necessarily a bad thing, if you ask me.

Cop Francis, The HK Triad, 1999

21. The HK Triad: Francis & Lau Ching Wan in the 1960s and 70s as lifelong buddies on opposite sides of the law. Tawdry Wong Jing nonsense with senseless torture, gratuitous necking and Athena Chu as a sexy bad girl.

22. 2000 AD: Sleek thriller starring a hapless Aaron Kwok as a computer programmer inadvertently caught up in international espionage. Francis won several Best Actor awards for playing a middle-aged detective who shows Aaron the ropes.

23. Horror Hotline: Big-Headed Baby: Weird Soi Cheang thriller involving an urban legend about a deformed infant. Blair Witchesque ending. Francis smokes a lot in this one.

24. Magnificent Team: Goofy cop adventure comedy that feels like the 80s even though it was made in 1996. Francis leads a bunch of misfit cops through a series of mishandled investigations and gets to court and spark with serious-as-a-heart-attack Amanda Lee from Full Alert.

25. Clean My Name, Mr. Coroner: Francis as a fussy coroner in a bow tie who saves rogue cop Nick Cheung’s bacon. Kinda fun and a good change of pace.

Psycho Francis, Never Compromise, 1999

26. Never Compromise: The ne plus ultra of Evil!Francis, here a heartless mass murderer who casually strangles prostitutes and shoots down entire families. Not really a good movie, but Francis is fascinating as the ultimate sociopathic loser. Great noodle-slurping scene after offing a cop with a hand grenade.

27. Heroic Duo: Francis plays a psychopathic, flashy bad guy and completely overshadows the nominal leads, the bland and boring Ekin Cheng and Leon Lai.

28. Fall For You: Pretty awful rom-com set in Paris, but it’s nice to see Francis as a romantic lead. He charmingly plays a free-spirited artist in the City of Lights who falls for Kristy Yeung, who looks disturbingly like a female Leslie Cheung (although not as charismatic).

29. Women From Mars: did I watch this movie?

30. Hands In The Hair: Francis in a supporting role as the husband of a neurotic and self-centered woman played by Rosamund Kwan. Francis nails it as the mild-mannered cuckolded husband while Rosamund proves again that she really can’t act.

31. McDull, the Alumni: Very cute sequel to My Life As McDull, the surprisingly charming animated kids’ movie. This one mixes live action and animation and has about three dozen cameos by Hong Kong’s biggest stars. Francis very briefly appears as a be-wigged judge in a hot-pot restaurant in a very funny scene with Cheung Tat-Ming and the incomparably entertaining Sandra Ng.

Dissolute Francis, Buttonman, 2009

32. Buttonman: A bloody mess, this extremely violent and nihilistic Taiwanese gangland thriller lacks narrative structure, logical character development, or any kind of directorial guidance. A melancholy Francis sports a James Caan perm and plays a burned-out triad who cleans up after mobster murders.

33. Tracing Shadow: Francis’ latest directorial effort kinda sucks, but some might like it for its excellent swordplay scenes. The dippy comedy falls flat, imho.

34. Triumph In The Skies (drama): Super-popular drama that made Francis a heartthrob in HK, this one focuses on the lives and romances of several airplane pilots. Francis is excellent as the upstanding pilot Sam Tong, whose thwarted love affair with Flora Chan consumes much of the thirty-plus episodes.

Pilot Francis, Triumph In The Skies, 2003

35. The Great Adventurer (drama): Long and languidly paced Mainland Chinese drama about the rise of a business tycoon and his best friend, played by Francis and Dayo Wong. TVB drama queen Flora Chan gets in the way as the scheming woman who comes between them. Surprisingly tepid, although a nattily dressed Francis gets to romance four different women in this one.

36. Healing Souls (drama): Francis as a brain surgeon (!) in a typical hospital soap opera. Much blood, bedside drama, and infectious diseases. Francis unfortunately has orange hair in this one.

May 8, 2010 at 6:15 am 10 comments

Sweet Dreams Are Made Of This: Top 10 Hong Kong Movies of the Decade

The Hong Kong Spice Boys, Exiled, 2007

This week I’ve been letting my geek flags fly, as I’ve been closely following the countdown of lovehkfilm.com’s Top 50 Hong Kong films of the decade. Webmaster Kozo, Hong Kong film aficionado extraordinaire, has been revealing ten films a day on his blog, Damn You, Kozo, with much commentary from the fanperson peanut gallery. Although Hong Kong films are not the ne plus ultra of film fandom that they were, say, fifteen years ago, more than 150 dedicated otaku responded to lovehkfilm’s poll, which was a completely unscientific open vote of anyone who wanted to send a ranked list of their favorite HK flicks of the past ten years. Being a dutiful HK cinema fangirl I compiled a draft of my top ten and, not surprisingly, the majority of the films on the list starred my personal favorite Francis Ng. Herein follows my list, with reviews of each film. Please note that the list is not a reflection on whether the films are cinematically or historically significant, but based purely on the amount of pleasure that I got while watching them. Which is really how it should be sometimes.

In reverse order:

10. Beauty and the Breast, dir.  Raymond Yip, 2003

Wacky comedy starring Francis Ng as an office lothario who bets he can seduce bespectacled smart-girl Michelle Reis. Luckily her dad is an herbalist and kung-fu master who sees through the ruse, setting up Francis and his accomplice, the hapless Daniel Wu, with an appropriate punishment.  Unlike most Hollywood actors, Francis Ng sees no need to safeguard his masculine image, which leads to an excellent use of prosthetic mammaries. Favorite scene: A conflicted Francis Ng manifests Good Francis (dressed in white with angel wings) and Bad Francis (in red with a tail and horns), who advise him on his quest to bed Michelle Reis.

9. A Gambler’s Story, dir. Marco Mak, 2000

A weird and loopy, stylized look at a down-on-his-luck gambler, played by Francis Ng, who tries to escape his miserable lot in life. Director Marco Mak mixes slapstick, violence, and pathos as only a Hong Kong director can do in this quirky and bizarre movie. Favorite scene: Francis and Suki Kwan win, then compulsively gamble away a fortune in a Macao casino.

Cecilia Cheung and Lau Ching-Wan show how it's done, Lost In Time, 2003

8. Lost In Time, dir. Derek Yee, 2003

A tearjerker par excellence, by Derek Yee, who also directed the 1993 classic Hong Kong weepy C’est La Vie, Mon Cherie. Lau Ching-Wan and Cecilia Cheung put on an acting clinic as ordinary people coming to grips with personal tragedy. Really one of the best melodramas ever made. Favorite scene: Orphanage scene!

7. PTU: Into The Perilous Night, dir. Johnnie To, 2006

Johnnie To’s dreamlike, surreal travel through nocturnal Hong Kong, with Simon Yam, Lam Suet, and Maggie Siu in search of a lost gun.  Possibly the closest To has come to directing an art film, with its poetic use of empty space and expressionistic framing. Favorite scene: Triad musical chairs in a late-night hot pot restaurant.

6. Shaolin Soccer, dir. Stephen Chow, 2001

Though not as brilliant as Stephen Chow’s 1990s mo le tau comedies, Shaolin Soccer still captures Sing Jai’s absurd and wacky persona, with the added bonus of crazy CGI that perfectly meshes with Chow’s insane worldview. Plus it’s a totally fun sports movie. One of the most pleasurable films on the planet, imho. Favorite scene: Stephen Chow demonstrates his kung fu parking skills.

Gigi Leung & Francis Ng a deux, A War Named Desire, 2000

5. A War Named Desire, dir. Alan Mak, 2000

An early film by Alan Mak, one half of the Infernal Affairs team, this intense thriller follows the fate of a pair of estranged brothers who find themselves on the run from triads in Thailand. Francis plays the older brother, a no-nonsense gangster who must choose between duty and honor. Gigi Leung is outstanding as a gun moll whose sharpshooting matches Francis’ shot-for-shot. Favorite scene: Gigi Leung methodically stalks her prey during a chaotic, cacophonous Thai New Year celebration.

Cecilia Cheung and Francis Ng mix it up, The White Dragon, 2003

4. The White Dragon, dir. Wilson Yip, 2003

Fun, frolic, and wuxia, with Francis Ng playing a blind swordsman who falls for bratty and spoiled, vain rich girl Cecilia Cheung. Although the action and comedy scenes are energetic and clever, the best part of the movie lies in the center section of the film, where erstwhile adversaries Francis and Cecilia court and spark. Favorite scene: Cecilia informs the blind, unaware Francis that girls would fall for him since he’s handsome and has straight teeth and a “tall” nose.

Stare-off of the century, Francis Ng and Anthony Wong, Infernal Affairs 2, 2003

3.  Infernal Affairs 2, dir. Andrew Lau & Alan Mak, 2003

The prequel to Infernal Affairs, which Martin Scorsese remade as The Departed, Infernal Affairs 2 is a magnificent gangster opus that operatically follows the fate of its many characters. Anthony Wong, Francis Ng, Carina Lau, and Eric Tsang are among the stellar cast. Francis in particular is outstanding as the soft-spoken yet ruthless Triad boss bent on avenging his father’s murder. Favorite scene:  Francis mournfully toasts his late father at an outdoor noodle stand, with a cadre of equally somber triads echoing his gesture.

Francis Ng & Sandra Ng try to figure it out, Juliet In Love, 2000

2. Juliet In Love, dir. Wilson Yip, 2000

One of the saddest and most heartfelt genre films ever to reach the screen, with Francis Ng and Sandra Ng as star-crossed lovers who find unexpected solace with each other. Francis plays a low-level triad caught up in a net of fateful events. Sandra is a lonely restaurant hostess who befriends him. Favorite scene: Simon Yam as a mobster boss who indifferently slurps down hot pot while Francis stoically bleeds from a head wound in the corner of the restaurant.

Nick Cheung Ka-Fei shows 'em what for, Exiled, 2007

1. Exiled, dir. Johnnie To, 2007

The ultimate fanperson heroic bloodshed film of the decade, featuring an ensemble cast of hard-guy triad film stars. Anthony Wong, Francis Ng, Lam Suet, Roy Cheung, and Nick Cheung shoot ‘em up on the eve of the 1998 return of Macao to China’s rule. An allegory for the ennui and anomie of Hong Kong and Macao residents during that time, with beautiful cinematography, a haunting soundtrack, and brilliant, tough-as-nails characterizations by the veteran cast, plus five, count ‘em, five amazing shootouts. Favorite scene: the prelude to the awesome opening shootout, in which Anthony Wong and Francis Ng remove ammo from their automatic pistols in order to have the same amount of bullets as Nick Cheung’s six-shooter.

Honorable mentions: Mad Detective; After This Our Exile; Election 1; The Warlords; Sparrow; Turning Point: Laughing Gor; Fantasia; Initial D; Wo Hu; On The Edge

January 1, 2010 at 9:53 pm 11 comments

What We All Want: Milestones, Smut, and Shahrukh Khan

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SRK forgets to wear a shirt

Holy cow! After less than a year of existence this blog reached  100,000 hits this week. Coincidentally, this week also marked Shahrukh Khan’s 44th birthday, which is only significant because SRK is one of the main reasons for the healthy traffic on this site. Along with fellow semi-naked movie star Edison Chen, SRK’s posts have received fully one-quarter of the total visits to this blog. Nothing like a little celebrity skin to draw an audience–

Interestingly enough, the next-most-popular posts are about the Star Trek reboot and the Tiananmen Square tank man, so it’s not just thrill-seekers stopping by. Other popular search topics are fairly diverse, including Kinatay, Brillante Mendoza’s controversial new flick, asiansartmuseum’s parody website Lord, It’s The Samurai, the late Pinoy poet Al Robles, and President Obama’s brother-in-law Konrad Ng.

bobo-chan-edison-chen-pics

Good friends Edison Chen & Bobo Chun, naked, 2007

But the double-barreled combination of a starkers Badshaah of Bollywood and Edison Chen’s sexual escapades are the all-time hit kings here on this site. Considering the popularity of on-line porn, I guess I shouldn’t be surprised that people would be so fascinated with looking at their favorite actors in the altogether. When I started blogging it wasn’t my intention to be a way station for pictures of bare-assed Asian movie stars, and I don’t think I’ve catered to that need too flagrantly, but I’ll take the traffic however it comes.

Probably only a fraction of the flesh-seekers explore the site any further but I’d like to think that I’ve lured a couple unwary readers into my clutches with promises of semi-nude celebrities, then pried open their brains and poured in some radical knowledge. For me one of the great joys of blogging is throwing my random thoughts up on the web, without knowing how they’ll be received or who’s going to come across them, then seeing how they play out. I have to say that I’ve enjoyed every minute of it.

west wind francis ng

There's a new sheriff in town, Francis Ng, Fierce West Wind, 2010

PS: Just because I can, here’s a nice picture of Francis Ng in his upcoming movie Fierce West Wind. He plays a bounty hunter in what looks like a classic Eastern Western. Cowboy Francis! Be still, my heart–

November 6, 2009 at 1:26 am 6 comments


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