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Too Much Heaven, Part Three: Hong Kong Cinema at the San Francisco Film Society
Buzz Chung, astronaut, Echoes of the Rainbow, 2010
This weekend the San Francisco Film Society presents Hong Kong Cinema, the first of two Chinese-language film festivals, which runs for three days with seven films from the former Crown Colony. Although it doesn’t include any blockbusters, the brief festival runs the gamut from romantic comedies to crime films to melodramas and is a good look at the range of films coming out of Hong Kong these days. Herewith are a few of the films included in the series.
Punished
A sleek, economical crime film that’s actually a family drama in disguise, Punished is produced by Johnnie To and directed by Law Wing Cheong, To’s editor and frequent second unit director. The story moves along at a brisk and efficient pace, emphasizing the dysfunctional family relationships behind the kidnapping drama.
Moral choices, Anthony Wong and Richie Jen, Punished, 2010
Anthony Wong is outstanding as Wong Ho-chiu, a ruthless and powerful businessman seeking vengeance for his errant daughter’s kidnapping and death–his performance is subtle and explosive and as usual he can do no wrong. Richie Jen is also excellent as Anthony Wong’s bodyguard and hatchet man with his own family issues to deal with. Supporting performances are uniformly strong and the mood is mostly realistic throughout–the bad guys aren’t too bad and the good guys aren’t too good, so the film possesses a great deal of moral complexity. Each person has a motivation for his or her actions, justified or not, and no one is completely evil or completely good.
In the end, it’s a mother-daughter relationship that’s the catalyst for the resolution of Wong’s moral crisis. As with the best Hong Kong films the movie is also unafraid to tap into the characters’ deep emotional responses–men cry, women swoon, and children weep unashamedly. Director Law keeps things pretty straightforward, with none of the annoying quirks of fellow Milkywayer Wai Ka-Fei. The film makes intelligent connections between the corruption of big business, damaged family dynamics, and immoral criminal activity.
Meeting cute, Gao Yuan Yuan and Daniel Wu, Don't Go Breaking My Heart, 2011
Don’t Go Breakin’ My Heart
An adequate rom-com that attempts to capture the uber-success of early 2000s Johnnie To flicks Needing You and Love on A Diet, Don’t Go Breakin’ My Heart stars Louis Koo, Gao Yuan Yuan, and Daniel Wu in a love story set in Hong Kong and China. The three play young urban professionals, with Gao unable to decide between playboy Koo and nice guy Wu.
Gao’s dilemma becomes tedious pretty quickly since Louis Koo’s character is so clearly a womanizing asshole. It’s hard to understand what she sees in him, especially with the charming and sensitive Daniel Wu also courting her. But the plot demands a love triangle so the audience must suffer through her indecision for nearly two hours (whatever happened to the excellent concept of the 90-minute Hong Kong movie?) while she dithers between her two beaus. Director To even cribs from his own most successful romantic comedy, Needing You, by using the device of would-be lovers communicating the movie’s catchphrase by signage. There’s some clever usage of messages pasted on office building windows but even that seems awfully contrived by the end of the movie. Though both are cute and dimply, Gao and Koo never seem to really spark–Gao and Wu’s chemistry is better, with Wu nicely conveying a sense of romantic longing. Gao lacks the manic goofiness and exquisite comic timing of To’s usual rom-com muse Sammi Cheng and Louis Koo just isn’t charming enough to warrant Gao’s long-term fascination. Daniel Wu is very sweet as the long-suffering third party but he doesn’t have much character development except his ongoing dedication to a neon green frog. But as rom-coms go, this one is serviceable, with three good-looking and well-dressed lead actors amidst the glamorous backdrop of Hong Kong’s skyscrapers.
Choices, Teddy Robin and Ella Koon, Merry-Go-Round, 2010
Merry-Go-Round
Though it looks great, with beautiful, rich cinematography and art direction, Merry-Go-Round, (dirs. Yan Yan Mak and Clement Cheng) is just a bit too long and a bit too dependent on coincidence to be completely effective. Ella Koon and Nora Miao play two Hong Kong ex-pats living in San Francisco who return to the former Crown Colony after long absences. Koon’s character is a young bohemian with a hidden past, and Miao’s is a master herbalist who left Hong Kong to follow her bliss in the United States. Their lives converge in somewhat forced circumstances– the film’s narrative links its many characters with overly convenient plot twists.
Merry-Go-Round takes a light but serious look at death, loss, and separation. The film uses the idea of returning home as a metaphor for going back, not forward, in life, with several characters attempting to make amends for past misjudgments or dealing with the results of long-gone choices. It also makes some nice points about the advantages of moving on with life instead of dwelling on past traumas, with one character wistfully telling another, “I would have forgotten long ago but you keep reminding me.”
Teddy Robin, who won Best Actor for Gallants (also directed by Clement Chang) at last year’s Hong Kong Film Awards, is very effective as the lovelorn manager of the coffin home/mortuary where Koon ends up working. Also excellent is Nora Miao as the imperious herbalist who so long ago followed her fate to the U.S. But the time structure of the film seems a little skewed–if some of the characters were young adults in 1938, that means that they would be in their nineties now, and the actors playing them in the modern-day sequences seem much too young to be nonegenarians.
Despite its handsomely mounted production design, Merry-Go-Round’s storyline is a bit too unfocused to be completely convincing. But it’s nice to see a Hong Kong film that’s a serious drama instead of the martial arts/triad/comedy flicks that the city’s film industry usually puts out.
Shoemaking, Simon Yam and Sandra Ng, Echoes of the Rainbow, 2010
Echoes of the Rainbow
A charming family drama set in 1960s Hong Kong, this melodrama by Hong Kong New Wave director Alex Law stars Buzz Chung Shiu-Tiu as Big Ears, a young boy whose shoemaker father, his mother and his older brother strive to make an honest living making and selling shoes in their working-class neighborhood. Though a bit soft around the edges, the film is best when it illustrates the community neighborliness found amongst the residents of the street. One pleasant moment occurs when Big Ear’s family takes its nightly meal out to the street behind their house to eat on a homemade dinner table built on top of a tree stump. They’re joined by the rest of their neighbors who are also dining al fresco, presumably to escape the heat of their small, non-airconditioned houses. This small but engaging scene underscores the sense of belonging, safety, and comfort found in an earlier, less hectic time and place.
The film also makes cogent point in its examination of class differences between Desmond (Aarif Lee) and his girlfriend Flora (Evelyn Choi). In one scene Desmond walks for a very long time from his humble street to visit Flora, eventually arriving at the toniest neighborhood in town. The length of his journey and his awkwardness and discomfort in such rarefied surroundings contrasts nicely with the sense of ease and belonging he feels in his own neighborhood and underscores the great gulf in social status between himself and his wealthier sweetheart.
Simon Yam and Sandra Ng are excellent as the cobbler and his wife, and Buzz Chung is endearing without being saccharine. Aarif Lee is suitably modest despite his blazing hotness and Evelyn Choi is sweet and charming as his love interest. Eventually the film succumbs to extreme melodrama but it still remains a lovely rendering of a more innocent time in Hong Kong history.
Ass-kicking, Sandra Ng, Mr. and Mrs. Incredible, 2011
Mr. and Mrs. Incredible
A period piece directed by Vincent Kok, the sometime collaborator of king of comedy Stephen Chiao, this superhero comedy feels a lot like a Lunar New Year film, with its wacky concept, broad humor, slapdash production design, and lead performances by popular stars Louis Koo and Sandra Ng. Koo and Ng play a married couple who are also the retired superheroes formerly known as Gazer Warrior and Aroma Woman (both excellent superhero names). The two erstwhile heroes have renounced adventuring and have settled down incognito in a quiet village where they run a pork bun shop. Their attempt to start a family and to live anonymously in peace is interrupted by a martial arts contest, a life-force sucking villain, and other outlandish circumstances.
Goofy and mild, with humorous banter between its amiable co-stars, the film is a bit talkier than you’d expect from a movie about costumed heroes. It’s carried by the charming performances of Koo and Ng, who are unafraid of looking ridiculous and whose good-natured interplay makes the film an innocuous and pleasant timepass.
Also screening: Redoubtable auteur Ann Hui’s All About Love, a lesbian love story starring Sandra Ng and Vivian Chow, and Benny Chan’s City Under Siege, an action film that involves toxic waste, mutants, circus performers, and other everyday Hong Kong denizens, starring Aaron Kwok and Shu Qi, with production design by the legendary William Chang Suk-Ping (In the Mood for Love, Rouge, 2046).
Hong Kong Cinema
Sept. 23-25, 2011
San Francisco Film Society New People Cinema
1746 Post Street, San Francisco
San Francisco
Sweet Dreams Are Made Of This: Top 10 Hong Kong Movies of the Decade
The Hong Kong Spice Boys, Exiled, 2007
This week I’ve been letting my geek flags fly, as I’ve been closely following the countdown of lovehkfilm.com’s Top 50 Hong Kong films of the decade. Webmaster Kozo, Hong Kong film aficionado extraordinaire, has been revealing ten films a day on his blog, Damn You, Kozo, with much commentary from the fanperson peanut gallery. Although Hong Kong films are not the ne plus ultra of film fandom that they were, say, fifteen years ago, more than 150 dedicated otaku responded to lovehkfilm’s poll, which was a completely unscientific open vote of anyone who wanted to send a ranked list of their favorite HK flicks of the past ten years. Being a dutiful HK cinema fangirl I compiled a draft of my top ten and, not surprisingly, the majority of the films on the list starred my personal favorite Francis Ng. Herein follows my list, with reviews of each film. Please note that the list is not a reflection on whether the films are cinematically or historically significant, but based purely on the amount of pleasure that I got while watching them. Which is really how it should be sometimes.
In reverse order:
10. Beauty and the Breast, dir. Raymond Yip, 2003
Wacky comedy starring Francis Ng as an office lothario who bets he can seduce bespectacled smart-girl Michelle Reis. Luckily her dad is an herbalist and kung-fu master who sees through the ruse, setting up Francis and his accomplice, the hapless Daniel Wu, with an appropriate punishment. Unlike most Hollywood actors, Francis Ng sees no need to safeguard his masculine image, which leads to an excellent use of prosthetic mammaries. Favorite scene: A conflicted Francis Ng manifests Good Francis (dressed in white with angel wings) and Bad Francis (in red with a tail and horns), who advise him on his quest to bed Michelle Reis.
9. A Gambler’s Story, dir. Marco Mak, 2000
A weird and loopy, stylized look at a down-on-his-luck gambler, played by Francis Ng, who tries to escape his miserable lot in life. Director Marco Mak mixes slapstick, violence, and pathos as only a Hong Kong director can do in this quirky and bizarre movie. Favorite scene: Francis and Suki Kwan win, then compulsively gamble away a fortune in a Macao casino.
Cecilia Cheung and Lau Ching-Wan show how it's done, Lost In Time, 2003
8. Lost In Time, dir. Derek Yee, 2003
A tearjerker par excellence, by Derek Yee, who also directed the 1993 classic Hong Kong weepy C’est La Vie, Mon Cherie. Lau Ching-Wan and Cecilia Cheung put on an acting clinic as ordinary people coming to grips with personal tragedy. Really one of the best melodramas ever made. Favorite scene: Orphanage scene!
7. PTU: Into The Perilous Night, dir. Johnnie To, 2006
Johnnie To’s dreamlike, surreal travel through nocturnal Hong Kong, with Simon Yam, Lam Suet, and Maggie Siu in search of a lost gun. Possibly the closest To has come to directing an art film, with its poetic use of empty space and expressionistic framing. Favorite scene: Triad musical chairs in a late-night hot pot restaurant.
6. Shaolin Soccer, dir. Stephen Chow, 2001
Though not as brilliant as Stephen Chow’s 1990s mo le tau comedies, Shaolin Soccer still captures Sing Jai’s absurd and wacky persona, with the added bonus of crazy CGI that perfectly meshes with Chow’s insane worldview. Plus it’s a totally fun sports movie. One of the most pleasurable films on the planet, imho. Favorite scene: Stephen Chow demonstrates his kung fu parking skills.
Gigi Leung & Francis Ng a deux, A War Named Desire, 2000
5. A War Named Desire, dir. Alan Mak, 2000
An early film by Alan Mak, one half of the Infernal Affairs team, this intense thriller follows the fate of a pair of estranged brothers who find themselves on the run from triads in Thailand. Francis plays the older brother, a no-nonsense gangster who must choose between duty and honor. Gigi Leung is outstanding as a gun moll whose sharpshooting matches Francis’ shot-for-shot. Favorite scene: Gigi Leung methodically stalks her prey during a chaotic, cacophonous Thai New Year celebration.
Cecilia Cheung and Francis Ng mix it up, The White Dragon, 2003
4. The White Dragon, dir. Wilson Yip, 2003
Fun, frolic, and wuxia, with Francis Ng playing a blind swordsman who falls for bratty and spoiled, vain rich girl Cecilia Cheung. Although the action and comedy scenes are energetic and clever, the best part of the movie lies in the center section of the film, where erstwhile adversaries Francis and Cecilia court and spark. Favorite scene: Cecilia informs the blind, unaware Francis that girls would fall for him since he’s handsome and has straight teeth and a “tall” nose.
Stare-off of the century, Francis Ng and Anthony Wong, Infernal Affairs 2, 2003
3. Infernal Affairs 2, dir. Andrew Lau & Alan Mak, 2003
The prequel to Infernal Affairs, which Martin Scorsese remade as The Departed, Infernal Affairs 2 is a magnificent gangster opus that operatically follows the fate of its many characters. Anthony Wong, Francis Ng, Carina Lau, and Eric Tsang are among the stellar cast. Francis in particular is outstanding as the soft-spoken yet ruthless Triad boss bent on avenging his father’s murder. Favorite scene: Francis mournfully toasts his late father at an outdoor noodle stand, with a cadre of equally somber triads echoing his gesture.
Francis Ng & Sandra Ng try to figure it out, Juliet In Love, 2000
2. Juliet In Love, dir. Wilson Yip, 2000
One of the saddest and most heartfelt genre films ever to reach the screen, with Francis Ng and Sandra Ng as star-crossed lovers who find unexpected solace with each other. Francis plays a low-level triad caught up in a net of fateful events. Sandra is a lonely restaurant hostess who befriends him. Favorite scene: Simon Yam as a mobster boss who indifferently slurps down hot pot while Francis stoically bleeds from a head wound in the corner of the restaurant.
Nick Cheung Ka-Fei shows 'em what for, Exiled, 2007
1. Exiled, dir. Johnnie To, 2007
The ultimate fanperson heroic bloodshed film of the decade, featuring an ensemble cast of hard-guy triad film stars. Anthony Wong, Francis Ng, Lam Suet, Roy Cheung, and Nick Cheung shoot ‘em up on the eve of the 1998 return of Macao to China’s rule. An allegory for the ennui and anomie of Hong Kong and Macao residents during that time, with beautiful cinematography, a haunting soundtrack, and brilliant, tough-as-nails characterizations by the veteran cast, plus five, count ‘em, five amazing shootouts. Favorite scene: the prelude to the awesome opening shootout, in which Anthony Wong and Francis Ng remove ammo from their automatic pistols in order to have the same amount of bullets as Nick Cheung’s six-shooter.
Honorable mentions: Mad Detective; After This Our Exile; Election 1; The Warlords; Sparrow; Turning Point: Laughing Gor; Fantasia; Initial D; Wo Hu; On The Edge
The Gory Details: 26 Francis Ng 吳鎮宇 Movies in 4 Weeks
Francis Ng as a naughty triad boss, Infernal Affairs II
In response to some of you who have asked me to elaborate on the 26 Francis Ng movies I watched in four weeks, here are some bullet reviews of them. As a bit of background, many of you know that I’ve got a thing for Hong Kong films and that in 1997 I made an experimental documentary called Beyond Asiaphilia that outlined my love for Chow Yun-Fat, Jet Li and other HK movie kings. At that time I was seeing about 3-4 HK movies a week, almost all in Bay Area movie theaters such as the Great Star, the World, the 4-Star and the UC Theater. All of those but the 4-Star have since shut down and, since the 1997 handover and economic crisis, the HK movie industry is a shadow of its former self. Hong Kong used to produce upwards of 300 films per year–today its output is around 50-100 films.
Francis Ng swaggers into the Golden Horse Awards, 2006
Because of this, and because my first daughter was born in 2000, my HK movie viewing declined steeply. I still managed to keep up with the latest Johnny To and Wong Kar-Wai films but most of the HK film scene passed me by.
Hence I was unaware of the rise of Francis Ng as a leading man, which started to take place around 1999 when he won several Best Actor awards for films such as The Mission, Bullets Over Summer, and 2000 AD.
When I was watching HK movies in the mid-nineties, I knew Francis Ng mostly for his quirky character work in movies like Young & Dangerous. Seeing his body of work this month, from films made after 2000, made me realize that he has grown far beyond those roles as an actor and as a movie star.
But apparently what pushed Francis into HK idol stardom was his role in the hit HK television drama Triumph In The Skies, where he played an upstanding, straitlaced airline pilot.
I’m not sure exactly what spurred this past month’s obsessive viewing of so many Francis Ng movies but he’s so good and watchable in almost everything he’s in, and he’s made so many movies, that it wasn’t hard to find several of them to watch.
Wacky Francis and bra, Crazy 'n' the City, 2005
He’s also grown into his face in the past 10 years and, depending on the movie and the hairstyle, can be ridiculously good-looking or insanely strange.
He’s blessed with a fine, photogenic bone structure, and has a mobile, expressive face and an agile grace that makes him a perfect screen performer.
Cross-eyed Francis, Juliet In Love, 1999
His eyes are also just slightly crossed, which adds an odd, somewhat feline quality to his looks.
Number of times Francis plays a cop: 2
Number of movies in which Francis dies: 14
Number of times Francis gets the girl: 10The best–watch these first.
- The Mission–Francis in feral, intense mode. Great movie which also stars Anthony Wong, Roy Cheung, & Lam Suet as hard-guy bodyguards to a timid mob boss.
- Exiled–Francis as one of a group of cool hired guns. Reunites most of the cast from The Mission with brilliant director Johnny To.
- Infernal Affairs 2–Prequel to Infernal Affairs. One of the best movies I’ve seen in a long time, especially Francis’s amazing, low-key performance as a reluctant Triad boss. Compare this to The Mission and some of Francis’s other OTT performances and you’ll see his fantastic range & versatility.
- Juliet In Love–my favorite. A wonderful, emotional, sad and beautiful story. Francis plays a none-too-bright, aimless hoodlum who finds love and redemption from an unlikely source.
- Full Alert–Francis as a complex bad guy in a cat & mouse game with Lau Ching Wan. Intense and haunting Ringo Lam movie.
Good:
- Too Many Ways To Be #1–weird but fun alternative timeline triad movie.
- Shiver–great, naturalistic Francis performance but he’s got terrible orange hair and a pathetic mustache
- Bullets Over Summer–Francis as a lonely cop in a subtle and emotional performance. Same director, Wilson Yip, as Juliet In Love.
- On The Edge–Francis in a supporting role as a sympathetic triad boss. He could’ve sleepwalked through it but actually puts in a worthy effort
- Wo Hu–another Triad boss supporting role–funny & complex
- Colour of the Truth–Francis is only in the first ten minutes or so, yet again as Triad boss, but makes a great impression. His scene with Anthony Wong & Lau Ching Wan is a textbook example of incredible ensemble acting.
- Love Trilogy–Charming romantic comedy with Francis and Anita Yuen as a bickering married couple. One of the few movies where he doesn’t die horribly.
- Fantasia–hilarious HK comedy, with Lau Ching Wan, Jordan Chan, Louis Koo, the Twins, Cecilia Chung & many others. Ridiculous and funny.
- Crazy ‘n’ The City–Francis shows his range again as a mentally ill man who falls in love. Bad hair day for him, though.
- Young and Dangerous–Ugly Kwan! So funny, especially the growly voice, the bangs, the goatee, and the orange clothes. And so much more fun to watch than the wooden Ekin Cheng. No wonder Kwan got his own spinoff series (Once Upon A Time In Triad Society 1 & 2).
Bad:
- Curse of Lola–Francis channels Tony Leung Chi-Wai, but even he can’t save the dreadful & pretentious script.
- The Closet–WTF? Wannabe Ring & Ju-On clone. Francis does some neat magic tricks & bonds with a cute kid.
- Shamo–another supporting part, this time in an ultraviolent manga adaptation. Francis is cool but the movie is pretty unwatchable. Thank god for fast forward.
- Karmic Mah Jong–the only movie I couldn’t finish it was so bad. Pointless & obtuse, and Francis has an especially unflattering haircut in it.
Indifferent:
- One Last Dance–A cool Francis performance in a muddled movie. Might be better the second time around. Classic scene with hostages, plastic wrap, scotch tape and a fork.
- Bullet & Brain–very dumb Wong Jing movie with funny & cool performances by Francis & Anthony Wong. Watching Francis strut and pose is of course lots of fun (bonus points for also looking very hot doing it). Just fast forward over anything without him or Anthony in it.
- Legal Innocence–really really creepy & disturbing Category 3 movie about a gruesome true-crime HK murder involving a love triangle and a body decomposed in acid. Francis is great but unsettling. Cecilia Yip & Anthony Wong also turn in good performances.
- Beauty and the Breast–actually a pretty funny and entertaining movie, if you’re not too demanding. Francis is hilarious as the office lothario who gets his commuppance (hint: it involves prosthetic mammaries). Just try to imagine Tom Cruise or Brad Pitt taking a part like this & you’ll understand what makes HK films special.
- Gen-X Cops–Ridiculous film starring popstar prettyboys as undercover cops. Francis lights up the screen as yet another Triad–unfortunately he buys the farm (again) by the middle of the movie, but not before delivering a profane and hilarious final speech, in English, though he obviously didn’t speak the language well at the time. Despite this, he makes it one of the highlights of an otherwise predictable and idiotic movie.
- A Man Called Hero–Francis plays a Japanese swordmaster bent on world domination. He has a CGI duel Anthony Wong as a Chinese martial arts sage and as well as a climactic battle with wooden man Ekin Cheng atop the Statue of Liberty (don’t ask).
- Deadly Delicious–Francis plays a philandering husband who suffers a horrible revenge from his pissed-off wife. Involves lethal doses of shrimp and other Chinese delicacies.
Yet to see:
A War Named Desire
Bakery Amour
Once Upon A Time in Triad Society 1 & 2
HK Triad
The White Dragon
Dancing Lion
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